"Magnificent" video

 

Magnificent
Magnificent

I was born
I was born to be with you
In this space and time
After that and ever after I haven't had a clue
Only to break rhyme
This foolishness can leave a heart black and blue

Only love, only love can leave such a mark
But only love, only love can heal such a scar

I was born
I was born to sing for you
I didn't have a choice but to lift you up
And sing whatever song you wanted me to
I give you back my voice
From the womb my first cry, it was a joyful noise...

Only love, only love can leave such a mark
But only love, only love can heal such a scar

Justified till we die, you and I will magnify
The Magnificent
Magnificent

Only love, only love can leave such a mark
But only love, only love unites our hearts

Justified till we die, you and I will magnify
The Magnificent
Magnificent
Magnificent

Composed by U2, Eno, and Lanois


The above video is the first in a Youtube search with keywords "U2 Magnificent" and it's automatically embedded. We are sorry if this video is not pertinent. If you think that this video violates copyright, please ask Youtube to remove it.

About "Magnificent"

From the original U2 Album "No Line On The Horizon" (03 March 2009)

"Magnificent" originated from the band's improvised recording sessions with Brian Eno and Daniel Lanois in Fez, Morocco in June 2007. The track was created out of a series of chord changes in the midst of a jam. The Edge noted that "The basic chord progression had a power that got everyone inspired. I think we all knew that it was inherently joyful, which is rare." A group of Moroccan percussionists played along with the band, and the result quickly became a band favourite during the sessions.

Bono noted that the lyrics were influenced by both Cole Porter and Bach, and that the song is about "two lovers holding on to each other and trying to turn their life into worship." Lanois described the song's origins: "We wanted to have something euphoric and Bono came up with that little melody. And he loved that melody, and stuck with it. Almost like a fanfare. And then I was involved in the lyrical process on that, because we wanted to talk about sacrifice that one makes for one's medium or one's art. I thought it had for a setting New York in the 50s; looking out a small bedroom window. Maybe a Charlie Parker kind of figure."

[From Wikipedia]

 

 

 

 

Back to home page